Monday, August 30, 2010
Friday, August 27, 2010
Wednesday, August 25, 2010
Thursday, August 19, 2010
Thursday, August 12, 2010
Release Date: Available on DVD August 24, 2010
Website: Official Who Killed
Starring: A whole bunch of people (it’s a documentary)
My Review: Confession: I know next to nothing about Sid and Nancy; I’ve never even seen the Gary Oldman-starring movie about them. I know they are two people who were once alive, but now are dead, and that’s it.
OK, maybe I know a bit more about them than that (you can’t live in NYC and not hear stories about the
Sex Pistols' bassist Sid Vicious and his girlfriend Nancy Spungen had a unique relationship (to put it delicately), that seemed to be fueled by intense passion, lots of anger, and heavy drug use. On October 12, 1978,
The story of Sid and
Would I Pay For It?: Well, no, since it’s coming out on DVD soon. But I doubt I’ll even rent this. For those who are fascinated by this story, I’m sure it’s a must-see; for the rest of us, there are so many other things to watch.
Monday, August 9, 2010
Being the old-fashioned gal that I am, I still subscribe to magazines. Yes, as in the kind made of paper that you can actually hold and touch and page through. I can throw it in my bag and whip it out at any time, for a lengthy read or a quick check on something, and I never have to wait for a gadget to boot up. The photos are all there in all their brilliant, actual size glory for me to enjoy, and after spending most of my days in front of a computer screen, I don’t have to strain my eyes to read the text on yet another digital platform. And best of all, if my magazine gets lost or stolen, I’ve only lost a dollar or two, as compared to a couple hundred if my hypothetical e-reader disappeared.
But this is not a post about the magnificence of paper magazines. This is a post about one particular paper magazine that pissed me off this week.
This past week the latest issue of Time Out New York arrived in my mailbox with a cover touting “The Coolest Jobs (And How To Get Them),” which I ignored at first since in these problematic economic times, you can’t find a magazine or website that isn’t claiming to tell you how to get a great new job. But then I saw that TONY was highlighting some media industry companies that I was actually interested in, like Gawker Media and Tumblr. And like a sucker, I thought they might actually offer useful tips on how to score jobs at these companies.
They offer tantalizing details of how awesome it is to work at these companies straight from current employees’ mouths; “You can directly see the impact you have on the company every day,” “Our archives are fantastic, our library is fantastic, our office environment is beautiful,” etc. They offer photos of their spectacular offices; No cubicles! Accessories closet! Rooftop deck! It’s like career porn for those of us who work in media. And to top it all off, there’s the promise that these companies have job openings, and TONY will tell you how to get them! Here’s how:
Check Tumblr’s website for openings. The only current opening? An unpaid internship.
Check Gawker Media’s various sites for openings. Social networking with the staff may help, too.
Get to know the staff at Elle.
Get a job at MoMA, because (this is a direct quote), “The best way to get a job at MoMA is to have one.”
Holy crap, TONY, thanks for these hot tips! So if I continue to check their websites for openings (like I always do, along with the rest of the city), social network with people who don’t already know me and therefore have no interest in talking to me (like I’ve already tried to do), and happen to stumble into a job (so I can get another job?) I can land a gig at one of these great places? With these crackerjack strategies, I should be able to get my dream job in no time at all. Thanks again, Time Out New York, you are a prince among paper magazines. Keep this up, and you'll have that pesky unemployment problem solved in no time.
(P.S. Call me, Gawker Media, I love you.)
Thursday, August 5, 2010
Release Date: September 10, 2010 (limited)
Website: Official Heartbreaker site
Starring: Romain Duris, Vanessa Paradis, Julie Ferrier, Andrew Lincoln, Jacques Frantz
My Review: Considering how much respect Americans tend to give French cinema, I was surprised at how formulaic and predictable this French romantic comedy comes across. Then I remembered that France was the country that still adored Jerry Lewis long after the rest of the world was so over him, and I felt slightly less surprised, but still a bit disappointed.
The titular Heartbreaker here is Alex, a suave Frenchman who makes his living breaking up couples. Yes, people pay him (handsomely) to cause rifts in the relationships they disapprove of. His latest job is to break up the impending marriage between Juliette, a wealthy businessman’s daughter, and her British fiancée. And the wedding is only 10 days away, so he better get to work!
The rest of the movie’s plot is pretty much handed to you on a silver platter in the trailer, though anyone who’s ever seen a romantic comedy at any time in their life can see where it will go. Alex puts his patented moves on Juliette, but she won’t fall for them, so he has to find another route. They eventually bond over cheesy American ‘80s movies and pop music (complete with a car ride sing-along), and Juliette starts to have doubts about her wedding, while Alex starts to see her as more than just another job.
Will Juliette marry the Brit, or will Alex succeed in breaking them up? And how will Alex cope with having real feelings for another person? And will Juliette find out about his job and refuse to believe that he actually cares for her (until some grand gesture made in the eleventh hour)? And which hit of the ‘80s will choreograph the climatic final moment when they inevitably come together? Is it too much to hope for “Rock Me Amadeus”?
I admit that Heartbreaker doesn’t look completely awful—it at least looks more entertaining and charming than most American romantic comedies being released these days (though that’s not saying a whole lot). I just wonder if this is a sign that the world has run out of unique ways to tell a love story. Because if anyone could still do it, I would have guessed it would be the French.
Would I Pay For It?: Je suis désolé, mais non.